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Festivals · May

Sanja Matsuri

三社祭さんじゃまつりSanja Matsuri

Three days of portable shrines in the lanes of old Asakusa

The Sanja Matsuri is the festival of Asakusa Shrine in Tokyo, held over three days on the third weekend of May. Honouring the three men credited with founding the neighbouring temple Sensō-ji, it is known for around a hundred neighbourhood mikoshi and the three great shrine mikoshi, carried through Asakusa with shouting, jostling crowds in the spirit of old Edo.

Sanja means 'three shrines', and the festival takes its name from the three men revered at Asakusa Shrine. According to the founding legend of Sensō-ji, in 628 the fishermen brothers Hinokuma Hamanari and Takenari drew a small statue of the bodhisattva Kannon from the Sumida River in their net; the local headman Haji no Nakatomo recognised it as sacred, took vows and turned his house into a temple. Sensō-ji grew from that temple, and the three men were later enshrined next to it as deities.

The festival is the high point of the year for Asakusa, the old entertainment and craft district of eastern Tokyo. For three days in May the neighbourhoods around Sensō-ji fill with festival music, stalls and teams of bearers in matching happi coats, and the district's shitamachi – old downtown – character is on full display.

Shrine and temple

Asakusa Shrine stands immediately to the right of Sensō-ji's main hall. For most of its history the two were a single religious complex, and the shrine was known as Sanja Gongen, reflecting the fusion of Buddhist and Shinto worship. When the Meiji government ordered the separation of Shinto and Buddhism (shinbutsu bunri) from 1868, the shrine became an independent Shinto institution and was renamed Asakusa Shrine in 1873.

The festival was once held in the third month of the lunar calendar, with the mikoshi carried by boat along the Sumida River. It moved to May in the Meiji period. The present main hall was built in 1649 on the order of the third Tokugawa shogun, Iemitsu, and survived both the Great Kantō Earthquake and the air raids of 1945.

The three days

Each day of the festival has its own focus, and the pattern is the same every year.

DayMain events
FridayDaigyōretsu: costumed procession of musicians, geisha, dancers and officials through Asakusa; Binzasara-mai dance at the shrine
SaturdayRengō togyo: around a hundred mikoshi from the parish neighbourhoods gather at the shrine and are blessed in turn
SundayMiyadashi at dawn: the three main mikoshi leave the shrine and tour the parish, returning in the evening (miyairi)

The mikoshi

A mikoshi is a portable shrine into which the deity is transferred for the festival, so that it can be carried through its parish and bring blessings to the streets. The three great mikoshi of Asakusa Shrine, known as Ichi-no-miya, Ni-no-miya and San-no-miya, each carry one of the three enshrined men. They weigh around a tonne each and are borne on long poles by dozens of bearers at once, who rotate constantly.

Bearers lift, sway and bounce the mikoshi to the chant of 'seiya, soiya', a vigorous style said to invigorate the deity. The Sunday miyadashi, when the three mikoshi are pushed out of the shrine through a dense crowd of bearers vying to get a shoulder under the poles, is the festival's most intense moment.

  • Mikoshi

    神輿mikoshi

    Portable shrine carried on poles, temporarily housing the deity during a festival.

  • Miyadashi

    宮出しmiyadashi

    The carrying out of the main mikoshi from the shrine at dawn on the Sunday.

  • Binzasara-mai

    びんざさら舞binzasara-mai

    A ritual dance for a good harvest and prosperity, performed with a clapper of wooden slats; a Tokyo-designated intangible folk cultural property.

  • Happi

    法被happi

    The short festival coat marked with a neighbourhood's emblem, worn by bearers.

Visiting and etiquette

Asakusa is reached by the Ginza and Asakusa subway lines and the Tōbu line. The festival draws enormous crowds, particularly around Sensō-ji and on the Sunday morning; the smaller neighbourhood mikoshi in the side streets are often easier to watch at close range.

The Sanja Matsuri has a reputation for rowdiness. Climbing onto a mikoshi is strictly forbidden, as it shows disrespect to the deity and endangers the bearers; repeated violations have in the past led the organisers to curtail the Sunday procession. Spectators should keep clear of moving mikoshi, which can swing suddenly into the crowd, and should not join a team without being invited.

Timeline

  1. 628

    Kannon statue drawn from the Sumida River, according to Sensō-ji's founding legend

  2. 1649

    Present main hall of the shrine built under shogun Tokugawa Iemitsu

  3. 1868

    Separation of Shinto and Buddhism begins; shrine and temple divided

  4. 1873

    Shrine renamed Asakusa Shrine

  5. Meiji period

    Festival moved from the third lunar month to May

Frequently asked questions

When is the Sanja Matsuri?

Over the third weekend of May, from Friday to Sunday. The three main mikoshi are carried out at dawn on the Sunday.

Who is honoured at the festival?

The two fishermen who, according to legend, found the Kannon statue of Sensō-ji in 628, and the local headman who enshrined it.

Is it a Buddhist or a Shinto festival?

It is the festival of Asakusa Shrine, a Shinto shrine. Until 1868 shrine and temple formed a single complex, which is why the festival is so closely tied to Sensō-ji.

Can visitors carry a mikoshi?

Bearers belong to neighbourhood associations and their invited guests. Visitors should watch from a safe distance and never climb on a mikoshi.

Sources

  1. 1.浅草神社 三社祭 (opens in a new tab) — 浅草神社
  2. 2.台東区公式ホームページ (opens in a new tab) — 台東区
  3. 3.GO TOKYO (opens in a new tab) — Tokyo Convention & Visitors Bureau

Editorial team · Published: