Arts
Tea ceremony
茶道さどうsadōA bowl of tea as a complete art of hospitality
The Japanese tea ceremony, chanoyu or sadō, is the ritualised preparation and serving of powdered green tea (matcha) to guests. Shaped in the sixteenth century by Sen no Rikyū around the aesthetic of wabi, it combines hospitality with architecture, ceramics, calligraphy, flowers and food.
Powdered tea came to Japan with Zen monks from Song China and was drunk in monasteries to stay awake during meditation. Among the warrior elite of the fourteenth and fifteenth centuries it became the centre of lavish gatherings, with guessing contests and displays of precious Chinese utensils. From the late fifteenth century, tea masters turned in the opposite direction, towards small rooms, simple Japanese wares and quiet attention.
This 'tea of wabi' (wabi-cha) was brought to its mature form by Sen no Rikyū, tea master to the warlords Oda Nobunaga and Toyotomi Hideyoshi. His descendants founded the three Senke schools, which with many others still teach the way of tea today. A tea gathering is a small, carefully composed event in which host and guests share a moment that will not come again.
Step by step
- 1Receive the sweetWhen sweets are offered, bow, take one onto your paper (kaishi) and eat it before the tea arrives.
- 2Acknowledge the other guestsWhen the bowl is placed before you, bow to the host, then set it between yourself and the next guest and excuse yourself for drinking first.
- 3Turn the bowlHold the bowl in your left palm, steady it with your right hand and turn it clockwise twice, so that its front faces away from you.
- 4DrinkDrink the tea in a few sips, finishing with a light slurp to show that the bowl is empty.
- 5Wipe and returnWipe the rim where you drank with your fingers, turn the bowl back, admire it briefly and return it to the host with the front facing them.
Origins and Sen no Rikyu
Murata Jukō (1423–1502) is credited with linking tea to Zen ideals and preferring rough Japanese and Korean bowls to perfect Chinese pieces. Takeno Jōō (1502–1555), a merchant of Sakai, deepened the wabi aesthetic, and his pupil Sen no Rikyū (1522–1591), also from Sakai, completed it. Rikyū designed tiny tea rooms with a low crawl-in entrance (nijiriguchi) that made every guest bow, commissioned simple black and red raku bowls, and used everyday objects as utensils.
Hideyoshi used tea for politics: he held the Great Kitano Tea Gathering in 1587, open to all, and had a portable gold tea room built. In 1591 he ordered Rikyū to commit ritual suicide, for reasons that remain debated. Rikyū's grandson Sōtan passed the tradition to his sons, who founded the three Senke houses in Kyoto.
Schools
Tea is taught through hereditary schools (ryūha), each led by a grand master (iemoto) who holds the tradition and grants teaching licences. Differences between schools lie in details of movement, utensil handling and how the tea is whisked. Besides the three Senke schools, warrior-style schools descend from tea masters who served feudal lords.
- 表千家Omotesenke
The main line of the Sen family, based at the Fushin'an in Kyoto.
- 裏千家Urasenke
The largest school, based at the Konnichian in Kyoto, with branches worldwide.
Mushakojisenke
武者小路千家MushakōjisenkeThe third Senke house, named after its street in Kyoto.
Enshu-ryu
遠州流Enshū-ryūSchool of the warrior tea master and garden designer Kobori Enshū (1579–1647), known for 'elegant wabi'.
Yabunouchi-ryu
藪内流Yabunouchi-ryūKyoto school founded by a fellow student of Rikyū under Takeno Jōō.
The tea room and utensils
The classic tea room (chashitsu) is small, often four and a half tatami mats, with an alcove (tokonoma) for a hanging scroll and a simple flower arrangement (chabana). Guests approach it through a tea garden (roji) with stepping stones and a stone basin for purifying hands and mouth. Many utensils are chosen for each gathering to suit the season and theme, and guests admire them as part of the ceremony.
- 茶碗chawan
Tea bowl; raku, Hagi and Karatsu wares are traditionally prized.
- 茶筅chasen
Whisk carved from a single piece of bamboo; Takayama in Nara Prefecture is the main production centre.
Chashaku
茶杓chashakuSlender bamboo scoop for the powdered tea.
Natsume
棗natsumeLacquered caddy for thin tea; thick tea is kept in a ceramic jar (chaire).
Kama
釜kamaIron kettle heated over charcoal in a sunken hearth in winter or a brazier in summer.
- 掛物kakemono
Hanging scroll, often Zen calligraphy, regarded as the most important object in the room.
Thick tea, thin tea and the full gathering
Two kinds of tea are prepared. Koicha, thick tea, uses a large amount of matcha kneaded with little water into a glossy, viscous liquid and is shared from one bowl by several guests. Usucha, thin tea, is whisked to a light froth and served in individual bowls. Each is preceded by a sweet.
A full formal gathering (chaji) lasts about four hours: charcoal is laid in the hearth before the guests, a kaiseki meal is served, followed by thick tea and thin tea. Shorter tea gatherings (chakai), where only sweets and thin tea are served, are more common, and many temples, gardens and cultural centres offer them to visitors.
Ideals
Rikyū's teaching is often summarised in four words: wa (harmony), kei (respect), sei (purity) and jaku (tranquillity). The phrase ichigo ichie, 'one time, one meeting', expresses the idea that each gathering is unique and should be treated with full sincerity; it was popularised in the nineteenth century by the tea master and statesman Ii Naosuke.
The tea ceremony shaped Japanese taste far beyond the tea room: its aesthetics influenced architecture (the sukiya style), garden design, ceramics, lacquer, cuisine and the appreciation of imperfection and age.
Wabi
侘wabiBeauty found in simplicity, austerity and the modest.
Ichigo ichie
一期一会ichigo ichie'One time, one meeting': every encounter is unrepeatable.
Sukiya
数寄屋sukiyaArchitectural style derived from the tea house, with natural materials and restraint.
Timeline
1191
Eisai brings tea and Zen practices from Song China.
14th century
Tea contests (tōcha) and displays of Chinese objects are popular among the warrior elite.
Late 15th century
Murata Jukō develops a simpler, Zen-inspired style of tea.
1587
Toyotomi Hideyoshi holds the Great Kitano Tea Gathering in Kyoto.
1591
Sen no Rikyū is ordered to commit suicide.
17th century
Rikyū's great-grandsons establish the Omotesenke, Urasenke and Mushakōjisenke houses.
Meiji era onwards
Tea becomes part of education, especially for women, and schools spread internationally.
Frequently asked questions
What is the difference between chanoyu, sado and chado?
Chanoyu ('hot water for tea') is the older term for the practice. Sadō and chadō are two readings of 茶道, 'the way of tea', stressing it as a discipline.
Where can visitors experience a tea ceremony?
Many temples, gardens, museums and cultural centres in Kyoto, Tokyo, Kanazawa and elsewhere offer short tea experiences with sweets and thin tea, some with English explanation.
Do I need to kneel during a tea ceremony?
Guests traditionally sit in seiza, kneeling, on tatami. Many experiences for visitors allow sitting cross-legged or on chairs, and some use a table-style ceremony (ryūrei).
Why do you turn the tea bowl?
The host serves the bowl with its decorated front facing the guest. Turning it before drinking avoids drinking from the front, a gesture of humility and respect for the bowl.
Is the tea ceremony religious?
It is not a religious rite, but it developed in close contact with Zen Buddhism, and Zen calligraphy and ideas of mindfulness remain central to it.
Related
Sources
- 1.裏千家今日庵 (opens in a new tab) — Urasenke Konnichian
- 2.表千家不審菴 (opens in a new tab) — Omotesenke Fushin'an
- 3.文化庁 (opens in a new tab) — Agency for Cultural Affairs